Chapter Eight:
Houdini Magical Hall of Fame
Once Muller’s Meats had moved from Centre Street in 1967, the Centre Street buildings really became an afterthought. Henry and Ferdinand were too busy at the new Muller’s Meats to focus on what to do with the Centre Street properties.
On Thursday, August 24, 1967, Henry was on a business trip in Ottawa, meeting with officials at the Canadian Department of Agriculture to try to convince them to give fast-track approval for the new plant.
On his way back to his hotel room in Ottawa, Henry stopped in the hotel lobby and picked up a New York Times. On page 42 was a human-interest story with the headline Collection of Houdini Gear Is For Sale. It was about a man named Joseph Dunninger in New Jersey who had been a friend of Hardeen, Houdini’s brother. When Houdini passed away in 1926, he willed all of his paraphernalia to his brother Hardeen, with specific instructions that the paraphernalia be destroyed upon Hardeen’s death. This proviso was in Houdini’s will because he did not want people in the future to know how he did his stunts and tricks. However, after Houdini’s death, Hardeen needed money, and he sold everything to Joseph Dunninger. This article mentioned that all this paraphernalia was still in its original thirty-six theater trunks in a warehouse in New Jersey.
Henry had certainly heard the name Houdini, but he knew nothing about him. Henry knew nothing about magic. He knew nothing about curating a museum. He knew nothing about catering to the tourist trade. But he thought to himself, I could buy this collection and build a tourist attraction around it in the former Muller’s Meats building on Centre Street.
That evening when Henry returned to Niagara Falls from Ottawa, he showed the article to Bella and told her of his idea to buy the collection and build a museum.
Bella liked the idea and added that Henry should call a friend of theirs in Toronto, an ophthalmologist by the name of Dr. Harold Stein, who had an interest in magic, and ask him what he thought of the idea. On Friday morning, Henry phoned Dr. Stein, who not only loved the idea, but asked Henry if he could be a bit partner in the venture.
Henry decided to contact Mr. Dunninger to try to buy the collection. The article did not give any contact information for Mr. Dunninger; the only reference was that he lived in New Jersey.
Henry called New Jersey directory information – 201-555-1212 – and asked for the phone number of Joseph Dunninger. When the operator responded that a specific city was required in order to look someone up, Henry responded “Newark” because that was the only city he knew of in New Jersey (because that is where the airport is and he had once changed planes there). The operator responded that there was no Joseph Dunninger in Newark; she said there was a Joseph Dunninger in nearby Cliffside Park but his number was unlisted. Henry told the operator that she must give him the number as it was an emergency (it was not!), and after much cajoling, believe it or not, the operator gave Henry the number, even though it was supposed to be unlisted.
Henry then called the number and Dunninger’s future son-in-law, Bruce Gimelson, answered the phone. Bruce had been mentioned in the Times article as the person handling the sale. At the time Bruce was not yet married, but he was dating Dunninger’s daughter Josephine. Henry asked Bruce how much Dunninger wanted for the collection as no price was stated in the article. Bruce responded by asking Henry how much he was willing to pay. Henry responded back that as Bruce was the seller, he needed to give Henry an asking price. Bruce again would not give Henry a price, but he let Henry know that there was a hotel in Las Vegas that was interested in buying the whole collection to set up a museum in their hotel.
Henry told Bruce that he would like to fly to New Jersey to meet that Sunday, and asked Bruce to wait until then before making a decision, which Bruce agreed to. When Henry then told Dr. Stein that he was going to see The Amazing Dunninger, Dr. Stein begged Henry to bring him along, and he did. That Sunday, Henry and Dr. Stein flew to Newark, where Bruce picked them up and took them to Dunninger’s house at 9 Grant Avenue in Cliffside Park.
The stories that Henry and Dr. Stein told of that day would regale friends and family for years thereafter. Dunninger was famous for his mind-reading act. Henry told the story that shortly after they got to the house, Dunninger told Henry that he was writing four digits on a small scrap of paper. He wrote the four digits, folded the paper, handed it to Henry and asked Henry to put the paper into his own pocket. Henry obliged. Dunninger asked Henry what the four digits were, to which Henry responded that he had no idea. Dunninger asked him to think harder, and playing along, Henry said, “2, 8, 6, 4.” Dunninger asked him if he was sure and Henry said he was sure. Dunninger asked Henry to take the paper out of his pocket, unfold it and read the numbers aloud. Henry did. “2, 8, 6, 4!” Henry was truly astonished and not a little bit frightened. He said that for the rest of the day, he made sure never to think of anything because he feared that Dunninger would know what he was thinking.
Bruce and Dunninger took Henry and Dr. Stein to the warehouse where there were thirty-six enormous theater trunks, all marked Houdini. They opened a few at random and saw that they were filled with illusions, paraphernalia both large and small, costumes, cases and cases of posters and photos of all sizes, cases of letters and correspondence, hundreds of films, cases of locks and keys and a myriad of ephemera.
They went back to the house and Henry asked Dunninger if he would be willing to sell the collection to Henry so that Henry could set up a Houdini Museum in Niagara Falls, Ontario. And that is precisely what ended up happening. Dunninger sold Henry the collection for $65,000, payable $32,500 then and there – Henry had brought a blank check with him – and an additional $32,500 upon receipt of the goods in Niagara Falls. Henry had agreed to arrange for the trucking.
That was Sunday, August 27, 1967, three days after Henry had read the New York Times article in that hotel room in Ottawa.
Henry and Dr. Stein returned to Canada that night. During the ensuing weeks, Henry contacted some other friends of his who had expressed interest in making investments with Henry if and when something interesting became available. In the end, Henry took 51%, and the other 49% was divided up between Dr. Stein, Vince DeLorenzo (Henry’s partner at the Cavalier Motel down the street), Abe Bogolmony, Hymie Bogolmony, and Dr. Bernie Blackstein.
On September 29, Muller’s Meats made a delivery of a forty-foot tractor-trailer load of meat on 14th Street in Manhattan. In a unique display of corporate synergy, after the meat delivery the driver went and got the trailer washed out, and headed to Cliffside Park, New Jersey, to pick up the Houdini collection. Upon seeing what there was to load, the driver called Henry and said there was no way all of that would fit in one forty-foot trailer. Henry thus hired a second trailer which was there in New Jersey, and all thirty-six trunks were loaded onto the two tractor-trailers and brought back to Canada.
The trucks arrived to Niagara Falls on Monday, October 2. When the back doors were opened, each of the forty-foot trailers was filled to the roof, which were eight feet high. As soon as they began unloading the trucks, it became obvious to Henry that without Dunninger, it was impossible to figure anything out. Many of Houdini’s greatest illusions had been disassembled for packing and were strewn amongst numerous trunks. One trunk would have a table top and another trunk in a different part of the truck would have the four legs.
Henry called Dunninger and asked him to come to Niagara Falls to help him make sense of what turned out to be over 5,000 items. The problem was, Dunninger did not fly. He would not travel by airplane, because as it turns out, several years previous, he said he had predicted a plane crash and in fact, the plane did crash. Since then, he would not fly. Henry arranged for first-class train tickets for Dunninger, his wife Billie, his daughter Josephine, and the future son-in-law Bruce, and they all came to Niagara Falls, New York, by train. Henry picked them up there and brought them to Canada.
Over the next few days, they sorted everything out and carefully catalogued and stored the collection in the building where Muller’s Meats had been, as well as the two adjacent buildings, one on either side, that Henry and Ferdinand had previously purchased. Those few days were exciting and action-filled, and the Muller family and the Dunninger family became close family friends.
On February 13, 1968, ground was broken on the renovations of the buildings.
Henry hired a man by the name of David Hagarty to help him create the museum, and together they hired architects and curators to help put the museum together.
What they discovered was that in addition to all of Houdini’s effects, many of the cases contained other collections of Houdini’s. It turns out that Houdini was an avid collector of all types of magic-related items, including illusions used by his contemporaries. Thus, it was decided that the beginning of the museum would be dedicated to Houdini’s contemporaries.
One of the most important of these illusions was Alexander Herrmann’s Decapitation, but the reason it was so important was not because of its importance in the annals of magic history – although it was very important – but rather because Henry put the illusion in the front window of the museum facing the street. The front window was huge, about 30 feet in length. At one end was a chair with a woman sitting in it. At the other end was an empty glass cabinet. The magician approached the woman in the chair, cut off her head and then carried the head over to the other side and placed it onto the glass cabinet. The head would then begin speaking. It was truly astonishing, scary, gruesome, and fascinating.
So as pedestrians walked by the window, they looked at the head on the cabinet, which was amazing in and of itself. Then suddenly the head would say “Hello!” Over the years, more than a few passers-by became so startled that they almost had a heart attack. People would scream on a regular basis. It got to the point where many people would hang around just to watch the reactions from others who had not seen it before.
To make it clear, this was not a mannequin head on the cabinet; it was the head of a real person. What we did was to rotate the museum’s tour guides into one-hour shifts to take the place of the head on the cabinet. That kept it fresh, and guides were excited about their one hour of fame. Many got really creative about how and what they said, to the point of great hilarity. Some were quite skilled at turning the pedestrians into paying customers, and that was a learned skill in itself. What a great idea and it was terrifically executed!
There were trunks filled with illusions from other magicians, and a few of them were exhibited in the museum–for example, Count Beaumont’s Cylinder, Clayton’s Sword Suspension, Jarrett’s Sword Box, Blackstone’s Chair Suspension, to name a few.
One of the most important illusions in the history of magic was Kellar’s Psycho, the most famous of a series of Automatons used in magic acts since 1770 and improved upon with each generation. This piece also generated a lot of fun and enjoyment. It was a doll seated on a clear glass pedestal, with spectators seated all around the doll; in other words, it was not “connected” to anything, no cords anywhere, and of course batteries were not in use when Psycho was invented in 1875. In front of the doll were nine cards, each with a single digit on them. A visitor would walk up to the doll and say “What’s 15 minus 9?” and the doll’s hand would move to the 6 and pick it up. In real life, it was truly amazing. Of course, the generations of Automatons that have appeared since 1875 have become increasingly sophisticated.
The main part of the museum contained illusions that Houdini performed, trunks that he escaped from underwater, other items that he escaped from like milk cans, strait jackets and mail bags, selections from his collections of keys and locks, and hundreds of close-up effects that he used over the decades. Also displayed were some of his correspondence and selections from his notes on his tricks. Huge floor-to-ceiling posters adorned the walls. There were large cabinets filled with displays of his playbills, advertising, posters, throw cards, business cards, cabinet cards and on and on.
Although the museum was fairly large, in total it held less than 20 percent of all the artifacts purchased. The rest of the collection, including literally thousands of pieces of Houdini’s correspondence, films, photos, and a collection of thousands of locks and keys remained in storage.
The grand finale was the Water Torture Cell, which was the grand finale because of its fame in the last scene of the Tony Curtis movie, which (falsely) proclaimed that it was the cause of his death, which, as everyone knows, it was not.
The grand finale was the Water Torture Cell, which was the grand finale because of its fame in the last scene of the Tony Curtis movie, which (falsely) proclaimed that it was the cause of his death, which, as everyone knows, it was not.
Before the guests exited, they entered the Blue Room Illusion, which The Amazing Randi helped Henry create. It was an illusion in which a person stepped into an upright coffin at the end of a corridor. Another person pushed a button, at which point the person in the coffin disappeared. A voice played over saying, “Tired of your wife, your husband? How about your mother-in-law? Well, now you can make them disappear!” It was a source of much joy and laughter for museum visitors. I estimate that the number of times I heard that tape play is definitely in the five digits, maybe more!
The purchase of the Houdiniana and the opening of the museum was the beginning of a multi-decade path of fun and excitement for the Muller family. Many of the great magicians of the era came to visit over the years.
The opening ceremonies took place on June 6, 1968. The event was well advertised and attracted Houdini aficionados from around the continent as well as a plethora of television crews as well as newspaper reporters.
Dunninger came back to Niagara Falls (again, by train) for the opening ceremonies.
James Randi, known as The Amazing Randi, but whose real name is Randall Zwinge, participated in the grand opening of the museum. As the first part of the festivities, Randi, while blindfolded, drove each of the visiting dignitaries from the local City Hall to the museum. Randi then escaped from a strait jacket while suspended from a crane in front of the museum. Randi became a frequent visitor and good friend of the family.
This was also the beginning of a life-long friendship between my parents and Sidney and Helen Radner. They lived in Holyoke, Massachusetts, and owned a retail carpet company called American Rug. Sid had been a friend of Hardeen and was active in assisting my father with publicizing the museum. Sid also had memorabilia which he loaned to the museum.
Walter Gibson, the prolific author of The Shadow mystery series under the name Maxwell Grant, also attended and became a close friend of my father and of our family. He wrote literally dozens of books about magic and magic history and he also ghost-wrote dozens of other books.
For the ribbon-cutting ceremony, a large heavy chain was used instead of a ribbon. Reporters were invited to come up and inspect the chain and to try to break it or cut it. None could. Then, a small pair of cuticle scissors were handed to The Honourable Joe Greene, the Member of Parliament for Niagara Falls. To his own utter amazement, and with Mayor Franklin Miller standing next to him as a witness, Mr. Greene cut the chain with the small pair of scissors! It was a delightful, black-tie affair the likes of which the town does not often see.
David Hagerty managed the museum for three years. He was followed by Jim Middleton and then by Nada Mandic.
Over the years, the museum became a central point for grade-school class trips, and an educational center for magic.
Henry hired tour guides to guide the visitors through the museum. For several summers, even though I was only a kid, I gave guided tours of the museum. To this day, I am able to recite the entire tour by heart. There are still nights when I drift off to sleep and hear, “I AM HOUDINI! THIS MUSEUM, WHICH WAS CREATED AS A SHRINE TO MY MEMORY…”
Henry also had the idea to set up a gift and souvenir store into which one would enter when exiting the museum. He also had an idea to open a magic shop as part of the gift store.
One Sunday, he heard about a magicians’ convention taking place in nearby Hamilton. He decided to go to the convention to try to find a magician to help set up the magic store and to “pitch” magic tricks, that is, to demonstrate the tricks and then sell them to the visitors for the visitors to take home and entertain their friends.
While at the convention, Henry did find a young man who was doing tricks and impressed Henry with his charisma. Henry approached him and asked him if he would be interested in coming to work at the museum full-time to set up and manage the magic shop. He came to Niagara Falls the next day to see the location, and after some discussion, the magician said yes, and they agreed on a salary and that he would start full-time the next Sunday. He did say though, that the next day he was going to New York City to audition for a part in a play on Broadway. He said that if he did not get the part, he would be at the museum on Sunday to begin work, but that if he did land the role, he would have no alternative but to accept it, and thus would not be able to work at the museum.
As history would have it, the man landed the role and never did come to work at the museum. The show was called The Magic Show and the man’s name was Doug Henning.
Henry did end up hiring two great magicians to run the magic shop: Hugo Furney and Ron Conley. They set up the magic store and “pitched” magic to people exiting the museum, who were already in the magic mood.
The main item which was pitched was the Houdini Magic Set, which consisted of a Svengali Deck, Cups and Balls, Nickels to Dimes and a Snap-It. The sets retailed for about six dollars. During those two summers, and thereafter as well, I also worked the magic counter, demonstrating and selling magic tricks to visitors.
The Svengali Deck was a deck of cards in which a guest was asked to choose a card, after which the magician is able to turn the entire deck into the card which the visitor chose. The Cups and Balls was a trick in which the magician makes cotton balls appear to penetrate the solid cups and move through the air from one cup to another. Nickels to Dimes was a trick in which the magician makes four nickels turn into four dimes. The Snap-It or Snapper was a puzzle in which the magician is able to hook a hook onto a rubber band at the end of a tube, but the audience members are unable to do so.
We also sold other magic decks named Mental Photography, the Stripper Deck and the Invisible Deck, which as mentioned earlier was instrumental in getting me my first job on Wall Street.
Other magicians who worked at the magic store in subsequent years were Joe Nickell and Vince Matejka. Later Henry hired someone from Rochester, New York, whose stage name was Dante and whose real name was Barrett Kirkendall. He drove a hearse.
As is commonly known, when Houdini’s mother died in 1913, he was beyond grief. At that time, spirit mediums claimed to be able to make contact with “the other side” and many approached Houdini and asked him if he wanted their services. Seeing them for the tricksters they were, Houdini spent much of his later years debunking such so-called mediums. Houdini himself died on Halloween, October 31, 1926.
I mention this because as a publicity stunt, the museum organized a séance every year on Halloween to try to “reach” the spirit of Houdini.
About a ninety-minute drive from the museum, in Upstate New York, is Lily Dale, an enclave for spiritualism. Many mediums live there full time. Each year, on a Sunday in the early fall, Henry would pack us up in his station wagon and we would drive to Lily Dale for a day of fun and amusement. Henry would hire a medium from Lily Dale each year to preside over the séance.
Many luminaries in the field of magic history were invited, as was the press. Entrance to the séances was by invitation only, but they were well attended and a source of a lot of fun for my father and for our family. Needless to say, the mediums were always debunked, especially by Randi, who for decades made a career out of doing so.
One of the best séances was the one in 1969. The medium that year was Estelle Mark. She put on a great show and the press coverage was enormous and world-wide.
The séances were attended throughout the years by famous magicians, including Penn & Teller, as well as historians of magic such as Jay Marshall, Tom Boldt, Sidney Radner, Fred Pittella, Larry Weeks, Dorothy Young and the Bonnanos, who lived in Houdini’s house in Manhattan. The séances added to the museum’s mystique and fame. They also created an aura around the museum, even during the rest of the year, as an intriguing and mystifying place, an aura that the management did not play down, especially as it added to the number of visitors!
1974 was the final séance attended by Dunninger and his wife Billie. He was frail and passed away the next year. It was also a highlight because Randi escaped from Houdini’s Milk Can.
That the Muller family made the decision to try to escape the Nazis and how they accomplished it is truly remarkable.
That the Muller family was able to restart their lives in a country whose language they did not speak is truly remarkable.
That the Mullers were able to make a go of it on the farm, starting with almost no capital and knowing nothing about farming is truly remarkable.
That after nine years in their new country, the Mullers were able to move off the farm and start a retail store in truly remarkable.
That nineteen years later, the Mullers had forty employees and had expanded to all of the adjacent buildings is truly remarkable.
That the Muller family was able to buy the N. C. Joseph Ltd. building – whose walls were black with soot – revamp it, and obtain Federal government inspection for the meat business is truly remarkable.
That Henry, at age 34, assembled plots of land down the street and built a motel is truly remarkable.
That Henry read a newspaper article in a hotel room in Ottawa and thought of building a museum in the tourist area of Niagara Falls (to make use of his now empty buildings) is truly remarkable.
Talk about unique. How many Slovak refugee meat packers can you name who over the years had The Amazing Dunninger, Louis Tannen, Al Flosso, Jay Marshall, Amadeo Vacca, Walter Gibson, Ken Silverman, Morris Young, Milbourne Christopher, The Amazing Randi, David Merlini, Doug Henning, Harry Blackstone Jr., Penn & Teller, and David Copperfield all as dinner guests in their home?
It was a thrill.
























































